Projects signed VeroLED.
Brands that don't compromise on light. A selection of our installations — full case studies open on our Italian project pages.
How to read these projects
The case studies open on the Italian project pages, which carry the photographs, the specifications and the process. What follows is the short version in English: what each installation was, with the figures that define it. Where a number appears — surface, pixel pitch, brightness — it is the one recorded on the project sheet, not a catalogue value. Two of the projects below are not LED walls at all but lighting design; they are here because the same instruments and the same method were used to specify them.
Facades and shop fronts
Teatro Nazionale di Genova (2025): a vertical LED wall of 5 × 10 metres, 50 m², on the theatre's facade, pixel pitch 10 mm and 6,000 nit to stand up to direct sun, with a structure entirely in 304 stainless steel — a public building, a heritage context and a public tender. Euronics Tufano, Marcianise (2025): an outdoor wall of 6 × 3 metres, 18 m², on the south-facing front of the store at the Campania shopping centre, pitch 8 mm and 10,000 nit, readable in full daylight. Stadio Maradona, Naples (2019): two large screens of about 170 m² in total, pitch 10 and 8 mm, with a power-quality and compliance intervention that brought the power factor from 0.5 to 0.97 and cut consumption by around 40 per cent — the part of a stadium screen nobody photographs, and the part that decides the electricity bill.
Retail interiors
Offside, Giugliano (2025): 91.5 m² of LED wall in a sneaker and streetwear store — a continuous band 75 cm high running 90 linear metres around the perimeter (67.5 m²) and a walkable LED floor of 6 × 4 metres (24 m²), both at pitch 3.91 mm, with a printed backlit stretch ceiling and backlit shop windows in the same project. DFS Galleria, Haikou (2024): a four-sided LED cube of 48 m² at pitch 2.6 mm at the entrance of the new luxury gallery, playing immersive content in high definition. Leroy Merlin (2024) and Farmacia Coppola (2025): custom pixel-by-pixel LED signs — the pharmacy sign in AISI 304 steel carries 3,000 individually placed pixels and took seven days of hand work to position them.
Exhibitions and events
Pirelli, Cologne (2024): a curved arch for the stand at the Cologne tyre exhibition — a hemispherical structure reproducing a tyre at 1:1 scale with LED surfaces inside and out, 32 m² at pitch 2.6 mm. Mia Sposa, Naples (2025): several LED walls for the wedding ateliers' stands at the Mostra d'Oltremare, each designed for its exhibitor, with dynamic content and central management. Our own stand at ISE in Barcelona (2024): a full-wall indoor LED backdrop and LED posters on demonstration at Europe's main professional audiovisual show — the fair where this industry chooses its components.
Light, not screens
Diesel, Paris (2024): lighting design and LED wall integration for the boutique, with custom architectural fixtures and RGB-DMX luminaires, in collaboration with Leaf & Co, keeping the colour consistent with the brand's international identity. Pompeii Archaeological Park (2024): lighting of the finds at the UNESCO site — 48 V magnetic track, spotlights with 8° optics for precise accents, CRI 98, TLCI 96 and R9 90, point-by-point control and Mean Well SDR drivers. A museum lamp is judged by how it renders a colour that is two thousand years old; that is what the R9 figure is for.
What the projects have in common
None of them was chosen from a catalogue. Each started with a site survey and a measurement — of light, of distance, of the electrical supply — and each was specified component by component before anything was ordered. The instruments that measured them are the ones in our laboratory in Arzano, and the same instruments are used after installation, when a wall is calibrated or repaired. If your project resembles one of these, the Italian page shows the photographs; if it resembles none of them, that is usually the more interesting conversation.